“In this intricate, delicate-as-rice-paper novel, an American painter living in Beijing and trying to clean up her act at a yoga retreat makes gains in fits and starts, ‘a butterfly, flitting from leaf to leaf.’”—O Magazine
From the widely praised author of Paris Was the Place—a shattering new novel that bravely delves into the darkest corners of addiction, marriage, and motherhood
When Elsey’s husband, Lukas, hands her a brochure for a weeklong mountain retreat, she knows he is really giving her an ultimatum: Go, or we’re done. Once a successful painter, Elsey set down roots in China after falling passionately for Lukas, the tall, Danish MC at a warehouse rave in downtown Beijing. Now, with two young daughters and unable to find a balance between her identities as painter, mother, and, especially, wife, Elsey fills her days worrying, drinking, and descending into desperate unhappiness. So, brochure in hand, she agrees to go and confront the ghosts of her past. There, she meets a group of men and women who will forever alter the way she understands herself: from Tasmin, another (much richer) expat, to Hunter, a young man whose courage endangers them all, and, most important, Mei–wife of one of China’s most famous artists and a renowned painter herself–with whom Elsey quickly forges a fierce friendship and whose candidness about her pain helps Elsey understand her own. But Elsey must risk tearing herself and Lukas further apart when she decides she must return to her childhood home–the center of her deepest pain–before she can find her way back to him. Written in a voice at once wry, sensual, blunt, and hypnotic, Elsey Come Home is a modern odyssey and a quietly dynamic portrait of contemporary womanhood.
SUSAN CONLEY is the author of the novel Paris Was the Place and The Foremost Good Fortune, a book that won the Maine Literary Award for memoir. Born and raised in Maine, her writing has appeared in The New York Times Magazine, The Paris Review, and Ploughshares. She has been awarded fellowships from the MacDowell Colony, the Bread Loaf Writers’ Conference, the Maine Arts Commission, and the Massachusetts Arts Council. She spent three years in Beijing with her husband and two sons before moving back to Portland, Maine, where she currently lives. She teaches in the Stonecoast Writing Program at the University of Southern Maine.
During the 1930s, an artist and reluctant new wife struggles to reconcile her heart’s ambitions with the promises she has made
Cascade, Massachusetts, 1935. Desdemona Hart Spaulding, a promising young artist, abandoned her dreams of working in New York City to rescue her father. Two months later he is dead and Dez is stuck in a marriage to reliable but child-hungry Asa Spaulding. Dez also stands to lose her father’s legacy, the Cascade Shakespeare Theater, as the Massachusetts Water Authority decides whether to flood Cascade to create a reservoir.
Amid this turmoil arrives Jacob Solomon, a fellow artist for whom Dez feels an immediate and strong attraction. As their relationship reaches a pivotal moment, a man is found dead and the town accuses Jacob, a Jewish outsider. But the tide turns when Dez’s idea for a series of painted postcards is picked up by “The American Sunday Standard” and she abruptly finds herself back on the path to independence. New York City and a life with Jacob both beckon, but what will she have to give up along the way?
A graduate of Emerson College s MFA program, Maryanne O Hara was a longtime associate editor at “Ploughshares” magazine. Her short stories have been published in “Five Points,” “The North American Review,” “The Crescent Review,” and “Redbook,” as well as the literary anthologies “MicroFiction,” “Brevity & Echo,” “The Art of Friction,” and “Flash Fiction: Youth.” She lives near Boston with her family.
Certain books were “banned in Boston” at least as far back as 1651, when one William Pynchon wrote a book criticizing Puritanism.